Wojciech
搜索"Wojciech" ，找到 9部影视作品
导演：
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Anna,Wieczur-Bluszcz
剧情：
Talent and assion for music can take one to the very to. On the way, however, there are going to be showbiz tras. There is money, fame and fan crowds involved. Will a young girl be able to fight for her dreams in this no-holds-barred world where fame is so elusive? A controversial talent show called quot;Music Racequot; kees looking for talented singers all over the country. The decision on who will be started-u for a career and who will get a cold shower is always u to the three jurors: a once-oular singer, Olo (Maciej Zakoscielny), social media queen, Ewa (Julia Kaminska), and the dame of Polish jazz, Urszula Dudziak (laying herself). During an audition held in Olo#39;s home town, there is a row. The erson who starts it is quot;Ostraquot; (layed by Katarzyna Sawczuk). The rebel teen is outraged by the juror#39;s arrogant and dismissive behaviour towards her mother (Anita Sokolowska). The small scandal suits the show#39;s roducer (Tomasz Karolak), who ushes quot;Ostraquot; through to the next stage. There, it will turn out that the girl doesn#39;t just have a fiery temer, but a great voice as well. Success, though, comes at a rice. Being oular is not as leasant as many eole think. Our teenage hero will have to face a genuine test of integrity and character. The young star is about to take on her stage cometition, the ruthless world of show business, and, most imortantly, her own feelings.
导演：
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伊万·布洛茨尼科夫
剧情：
影片讲述了前苏联文学家丹尼尔·伊万诺维奇·哈尔姆斯，这位荒诞戏剧大师的一生。这部人物传记类影片将视线聚焦在哈尔姆斯的超现实主义作品上。 音乐与寂静，创作与匮乏，沉思与诙谐…… 年轻的纨绔子弟丹尼尔·伊万诺维奇，用英文单词“charms”和“harm”之间的谐音关联为自己取了笔名哈尔姆斯。他沉迷于文学界聚会，热衷于流言蜚语。他生活在社会中，却又与之完全隔离。他试图脱下时代的枷锁，却将自己深深陷入了现实的漩涡中。他的精神世界清晰而又模糊，充满了矛盾的对立面。 哈尔姆斯自视为一个天才，但却没有出版商愿意出版他的书籍，而他爱上的女人们也无一能够真正理解他的内心。经济困难和与现实脱轨的现状充斥着哈尔姆斯的生活。 他破旧的公寓、杂志社的办公室、列宁格勒的街道、河边的堤岸和城市的屋顶、他的热情澎湃、他所生活的世界，这一切，都成为了他生命的牢笼。他能否处理社会带来的压力，错落的爱情和虚无的创作呢？ 影片分为黑白与彩色两个部分，黑白部分是哈尔姆斯所处时代的真实影像记录，彩色的部分则是由现代的演员负责演绎的。
导演：
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Anna,Wieczur-Bluszcz
剧情：
Talent and assion for music can take one to the very to. On the way, however, there are going to be showbiz tras. There is money, fame and fan crowds involved. Will a young girl be able to fight for her dreams in this no-holds-barred world where fame is so elusive? A controversial talent show called quot;Music Racequot; kees looking for talented singers all over the country. The decision on who will be started-u for a career and who will get a cold shower is always u to the three jurors: a once-oular singer, Olo (Maciej Zakoscielny), social media queen, Ewa (Julia Kaminska), and the dame of Polish jazz, Urszula Dudziak (laying herself). During an audition held in Olo#39;s home town, there is a row. The erson who starts it is quot;Ostraquot; (layed by Katarzyna Sawczuk). The rebel teen is outraged by the juror#39;s arrogant and dismissive behaviour towards her mother (Anita Sokolowska). The small scandal suits the show#39;s roducer (Tomasz Karolak), who ushes quot;Ostraquot; through to the next stage. There, it will turn out that the girl doesn#39;t just have a fiery temer, but a great voice as well. Success, though, comes at a rice. Being oular is not as leasant as many eole think. Our teenage hero will have to face a genuine test of integrity and character. The young star is about to take on her stage cometition, the ruthless world of show business, and, most imortantly, her own feelings.
导演：
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皮奥特尔·舒尔金
剧情：
After a five-year hiatus from filmmaking, Piotr Szulkin returned in 1990 with quot;Feminaquot;, based on a novel by Krystyna Kofta and insired by Luis Bunuel.
The main character is Bogna, a thirty year old woman lost in her surrounding reality and unhay in her rivate life. After her husband dearts for a foreign scholarshi, Bogna learns that her mother died. The tri to her hometown for the funeral becomes a voyage in time, during which she relives the memories of her idyllic childhood.
As beautifully mounted as any of Szulkin#39;s films, it#39;s full of delirious wide-angle imagery (at times recalling the films of Terry Gilliam). Unavailable on DVD even in Poland, this is a most unfairly neglected work by Szulkin.
