尼古拉
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马修·洛佩兹
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身为美国总统之子，在国家中是如同王子一般的存在，同时也是他的母亲，美国首位女总统的智囊团成员。然而，成为知名人士也有其不利的一面，当他与其宿敌来自大洋彼岸英国的Henry王子殿下，两个人在Henry兄长大婚晚宴上争吵的照片，被披露给八卦小报，严重威胁到美国与英国之间的关系。为了控制住情势，他们不得不在非常时期采取特殊手段：联手伪造Alex与Henry之间的好友关系。Alex为了帮助母亲抵御嗜血的对手，已经十分忙碌，他最不需要的就是一个拖慢他工作效率的王子。然而在被迫相处之下，Alex逐渐发现，也许Henry王子没有他以为的那么糟糕。在他展示给公众的迷人表象之下，Henry其实也拥有幽默感与柔软的内心。
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安德斯·穆斯切蒂
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巴里（埃兹拉米勒 Ezra Miller 饰）用自己的超能力重返过去，想要改变历史、拯救自己的家人，然而他的所作所为，也在无意间改变了未来。在这个新的未来里，佐德将军（迈克尔珊农 Michael Shannon 饰）回归，并威胁要毁灭世界。巴里孤立无援，除非他能劝动一位非常不同且已隐退的蝙蝠侠（迈克尔基顿 Michael Keaton 饰）重出江湖，并拯救被囚禁的氪星人尽管这位并不是他所熟悉的超人。最终，为了拯救他身处这个世界，并回到他熟知的未来，巴里惟一的希望就是为命运而极速狂奔。不过，即使巴里做出最终极的牺牲他真的能让整个宇宙都重归正轨吗？
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Julia Roberts主演并监制Apple TV+限定剧《他告诉我的最后一件事 The Last Thing He Told Me》。本剧来自Reese Witherspoon的制片公司Hello Sunshine，改编自Laura Dave的同名小说，由Dave和丈夫Josh Singer (《聚焦》)共同创作。剧版讲述Roberts饰演的女子，在寻找关于自己丈夫为何神秘失踪的真相时，和16岁的继女建立起了意想不到的关系。
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Florian,Schwarz
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Inspired by a true crime case, the fictional six-part series "German Crime Story: Gefesselt" follows the story of one of Germany’s most notorious serial killers, the so-called "acid barrel killer." Raik Doormann strikes fear into the Hamburg area in the early 80s and 90s, as he kidnaps, tortures and brutally kills women in his own nuclear bunker. It is not until Nela Langenbeck, a victim counselor and later homicide detective, comes across clues to his deeds. But at that time, women within the police department are regarded more as secretaries than investigators - so she initially earned headshakes for her approaches. Against all odds, she eventually gets on the trail of Doormann and his gruesome deeds.
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该剧由嘻哈组合武当帮/ Wu-Tang的成员The RZA，联同编剧Alex Tse所开发。顾名思义，《武当帮成名录》故事围绕着武当帮，剧中会讲述这支传奇的崛起史。
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尼古拉斯·佩雷达
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Acclaimed Mexican-Canadian auteur Nicolás Pereda returns to the Festival with Minotaur, a pendant to his 2009 feature Juntos. Shot in the Mexico City apartment of Pereda's signature actor Gabino Rodríguez, Minotaur is an incandescent chamber piece that observes three thirtysomethings (Rodríguez, Luisa Pardo and Francisco Barreiro) as they sleep, dream, read, and receive visitors (including the housekeeper who takes care of them) in their communal space. A lovely and lethargic spell is cast as an ambiguous, Marienbad-like love triangle emerges among the trio, conveyed through literature (books function as telepathic transmitters and definers of relationships), choreography, and the acute physical presence of the three leads. Extending Pereda's recurring interests in class, social structure and family relations in Mexican society in its wraithlike fantasy of a leisure class that is quite literally sustained in its narcoleptic existence by the ministrations of the domestic help, Minotaur evokes the films of Tsai Ming-liang in its distended naturalism, ritualistic solitude, and creation of a cloistered world suffused with longing. The surreal aura of Minotaur seeps beyond the confines of the trio's apartment into a strange "night without distance" in Lois Patiño's hallucinatory portrait of border smuggling in the Gerês Mountains between Portugal and Galicia. Casting real townsfolk, some of whom were smugglers in their youth, Patiño places their stiffly Straubian presences within cross-processed, multilayered tableaux of rocks, river, and trees — an ever-indeterminate place that has imbibed and borne witness to innumerable, desperate acts of survival. Conjuring an instant in the memory of a landscape filled with ghosts, Night without distance extracts spellbinding fantasy from the real.
